Archive for May, 2007

Nigel Smith - Literature & Revolution In England, 1640-1660

Tuesday, May 29th, 2007
Nigel Smith - Literature and Revolution In England, 1640-1660 Nigel Smith - Literature & Revolution In England, 1640-1660
[Yale University Press 1997]

The years of the British Civil War and Interregnum constituted a turning point not only in the political, social, and religious history of seventeenth-century England but also in the use and meaning of English language and literature. At a time of crisis and constitutional turmoil, literature itself acquired new functions and played a dynamic part in the fragmentation of religious and political authority.

Nigel Smith argues that the upheaval in divine and secular authority provided both motive and opportunity for transformations in the nature and meaning of literary expression. The increase in pamphleteering and journalism brought a new awareness of print; with it, existing ideas of authorship and authority collapsed. Through literature, people revised their understanding of themselves and attempted to transform their predicaments.

Smith examines literary output ranging from the masterworks of the age—Milton's Paradise Lost, Hobbes's Leviathan, Marvell's poetry—to a host of less well-known writings. He examines the contents of manuscripts and newspapers sold on the streets, published drama, epics and romances, love poetry, praise poetry, psalms and hymns, satire in prose and verse, fishing manuals, and histories. He also analyzes religious polemic and the language of political controversy, demonstrating how, as literary genres changed, they often acquired new vitality.

Ranging wider than any other work on this period, this highly original book explores the effect of politics on the practice of writing and the impact of literature on patterns of historical change.

Contents

List of Illustrations
Preface
Abbreviations
Note to paperback edition
Introduction: Dissent Refracted: Text, Genre and Society 1640-60

Part I - Writing, Publishing and Reading in the War
Chapter 1 Unstable Parameters
The Conditions of Writing
    Production and Circulation
    Communication and Authority: The Public Sphere
    A New Kind of Author
Style Wars: Forms Confused
    Rhetoric and the Pamphlet Wars
    Representation and Interpreatation
    War Writing
Chapter 2 Public Fora
What is the News?
Theatres Transposed: The Career of Drama in the English Revolution

Part II - Rhetoric, Politics and Religion
Chapter 3 The Meaning of the Centre
Juggling Models: Parliamentary and Monarchical Apology
    The King: In and Out of Parliament
    Absolutely the King
    Posthumously Iconic
The Holy Commonwealth and the Breaking of Forms
    Cement in the Body
    Bishops, Presbyters and Puritans
    Toleration: Cracks in the Mortar
    The Grand Puritan Sublime
    All Alone
Chapter 4 Discourse from Below: The Levellers, the City and the Army
Urban Drama
The Uses of Books
Levellers Republicanised
Chapter 5 Political Theory as Aesthetics: Hobbes, Harrington, Winstanley
Hobbes's Body
Harrington's Commonwealth
'Action is the Life of All'
Chapter 6 The Free State in Letters: Republicanism Comes Out
Approximate Discourses
The Free State Speaks
The Republican Advance

Part III - Mythologising Calamity: Genres in Revolutuion
Chapter 7 Heroic Work
Epic Divides; Heroic Diatribes
    Epics for Civil Wars
    The Heroic Republic
    Creating Interiority
    Prophetic Resolutions
Mr Hobbes in Love: The Quest for Real Romance
    The End of Arcadia
    Interlude and Exile
    French Confessions
    Republican Romance
Chapter 8 The Instrumentality of Lyrics
The Lyric in the Republic
Battle Hymns of the Republic
Two War Genres
    Panegyric
    Elegy
Chapter 9 Satire: Whose Property?
Marprelate Revived
Satire and 'Popular Culture'
A Great Forgetting
Chapter 10 Calamity as Narrative
On the Land: Landscape, Pastoral, Piscatorial
    The View from Up Here
    In the Field, By the Stream
'I was there': History as Imagined Present
    Historiographical Revolutions
    Print, Oratory and the Classics
    Myth-Making

Conclusion
Notes
Index

ripperX GTK2

Monday, May 21st, 2007

RipperX is a GTK app that rips CD audio tracks and encodes them to the Ogg, MP3, or FLAC formats. It is also my favourite simple ripping tool, but it still uses the ugly GTK1 interface. That was my motivation to write a patch that ports ripperX to GTK2.

Patch against current SVN: ripperX-2.7-gtk2_i18n-rev2.patch.gz
RipperX source with the patch applied: ripperX-2.7.1-gtk2.tar.bz2

The patch is to be applied against the current code in SVN, but if you don't have all the necessary build tools to build from SVN and want to give it a go I've provided a tarball, made with 'make dist'.

What the patch does:

GTK2
Implements a GTK2 interface, version 2.6.0 or greater is required.
Not all deprecated GTK functions have been replaced. For developer help, I've added the --disable-deprecated configure option, with sets GTK_DISABLE_DEPRECATED. (Since not all are replaced, using that will result in a build failure at present.)

i18n
Implements the i18n (internationalisation) framework. gettext 0.15 or greater is recommended.
The patch includes a British English translation, po/en_GB.po, but this is simply a demonstration, as there's nothing that needs translating into British English.

build system
autoconf >= 2.60 is required.
All the files that will be auto-generated have been removed, such as configure, Makefile.in, etc. There is now no need to have a configure script in each sub directory. I have added autogen.sh, and this should be used to initiate an svn build, configure options can be passed to autogen.sh, as it runs configure. configure.in has been replaced by configure.ac, and configure.ac has all the necessary directives for building. 'make dist' will build both tar.gz and tar.bz2.

UPDATE [14-Jun-2007]
Updated both the patch and the tarball. The changes are in configure.ac: the configure script will now refuse to go any further if libid3 cannot be found.
UPDATE [25-Jan-2008]
A modified version of this patch is now in ripperX SVN, see this post for more information.

Hypnotic Brass Ensemble

Saturday, May 12th, 2007
Hypnotic Brass Ensemble : War / Mercury 10" single

This record just arrived in the post, so I slapped it on the turntable and immediately the clouds parted and the sun began to shine, a feeling began to develop inside and a smile appeared on my face. Music rarely gets as good as this!

Here are the cover notes…

THE SONGS ON THIS RECORD ARE A PAIR OF FIGHT SONGS

"War" is pure battle sound from beginning to end; it draws your blood and attunes you to the conflict you face. Any master fighter can tell you the realest war is not the one flashing on your television or the one sparking in these streets; it's the one waged within. We dedicate this song to all our gutter people in the world that they be spiritually uplifted and psychologically prepared for the struggles that surround them.

The tones in "Mercury" are based on an ancient Chinese weather tactic whereby an emperor, having assembled his troops for battle, would call on a priest or shaman to send rainstorms over a rival's army. But while that idea illustrates the scope of military theater, the song's solos represent the ritual of warfare from the perspective of a faceless soldier thousands of years ago; the preparation for battle, the drama of the battle itself and finally, the joy and elation a man feels when he's won the battle and rejoins his family in the village.

Limited to just 500 copies, so rush to it!

http://hypnoticbrass.blogspot.com/
www.myspace.com/hypnoticbusiness

sarkozy wins French election

Monday, May 7th, 2007
French citizens vote for the police state.
President George W Bush has already phoned to say well done.
Thatcher reborn? Let's hope not.

That is not my question…

Wednesday, May 2nd, 2007

Perhaps Jeremy Paxman's only quality is his interview technique, but it's a good one. Here's one such example, from BBC TV's Newsnight, 4th June 2001, which is worthy of recollection. Tony Blair provides the role of the ideal interviewee, stumbling and bumbling through his responses and clumsily confirming New Labour's shift from the traditional Labour egalitarian stance through his tactless avoidance of answering a simple question.
(The full transcript of the interview is available at http://news.bbc.co.uk/1/hi/events/newsnight/1372220.stm.)


This is Tony Blair

PAXMAN: But is it acceptable for the gap between rich and poor to widen?

BLAIR: It is acceptable for those people on lower incomes to have their incomes raised. It is unacceptable that they are not given the chances. To me, the key thing is not whether the gap between those who, between the person who earns the most in the country and the person that earns the least, whether that gap is…

PAXMAN: So it is acceptable for the gap to widen between rich and poor?

BLAIR: It is not acceptable for poor people not to be given the chances they need in life.

PAXMAN: That is not my question.

BLAIR: I know it's not your question but it's the way I choose to answer it. If you end up going after those people who are the most wealthy in society, what you actually end up doing is in fact not even helping those at the bottom end.

PAXMAN: So the answer to the straight question is it acceptable for the gap between rich and poor to get wider, the answer you are saying is yes.


Life-size mannequin of Tony Blair
that stands at the entrance of
the Sedgefield Sainsburys
supermarket

BLAIR: No, it's not what I am saying. What I am saying is that my task is…

PAXMAN: You are not saying no.

BLAIR: But I don't think that is the issue…

PAXMAN: You may not think it is the issue, but it is the question. Is it OK for the gap to get wider?

BLAIR: It may be the question. The way I choose to answer it is to say the job of government is make sure that those at the bottom get the chances.

PAXMAN: With respect, people see you are asked a straightforward question and they see you not answering it.

BLAIR: Because I choose to answer it in the way that I'm answering it.

PAXMAN: But you are not answering it.

BLAIR: I am answering it. What I am saying is the most important thing is to level up, not level down.

PAXMAN: Is it acceptable for the gap between rich and poor to get bigger?

BLAIR: What I am saying is the issue isn't in fact whether the very richest person ends up becoming richer. The issue is whether the poorest person is given the chance that they don't otherwise have.

PAXMAN: I understand what you are saying. The question is about the gap.

BLAIR: Yes, I know what your question is. I am choosing to answer it in my way rather than yours.

PAXMAN: But you're not answering it.

BLAIR: I am.

PAXMAN: You are answering another question.

BLAIR: I am answering actually in the way that I want to answer it. I tell you why I want to answer it in this way. Because if you end up saying no, actually my task is to stop the person earning a lot of money earning a lot of money, you waste all your time and energy, taking money off the people who are very wealthy when in today's world, they probably would move elsewhere and make their money. What you are not asking me about, which would be a more fruitful line of endeavour, is what are you doing for the poorest people to give them a boost.

PAXMAN: Let's talk about tax. You have promised…

BLAIR: Why don't we talk about the poorest of society and what we are doing for them.

PAXMAN: I assume you want to be Prime Minister. I just want to be an interviewer. Can we stick to that arrangement?

BLAIR: Fine.

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